Original
draft of a story that ran much more straightforwardly in Coast magazine
and several newspapers.
Waking
What
if you woke in the mind of an acquired savant, one of barely thirty
cases on earth? Leigh Erceg likens it to finding herself on the
set of an unfamiliar play, an analogy I’m very pleased to hear because
I can grasp it.
Not that the previous night is lost
entirely, but it’s written in a more vanishing ink, let’s say, than
other people’s. First determine
if you’re in a random hotel or (likeliest bet) Heidi’s house in Laguna,
or the loft at the studio of the noted sculptor who sees genius in
your art. Then step outside for a Lucky Strike. Apparently you smoked before the injury.
After a toke or two, think about physics. The 47-year-old former Colorado rancher, whose
brain changed for better and worse when she fell into a ravine in
2009, thinks about the construction of the universe as mathematical
strings. Are they like existential loops? I ask when
I meet her. “Oh,” she moans,
as if tasting Tiramisu. “So many.”
Reacting to some equations
on her plasterboard studio walls, captured on film by ABC Nightline,
online critics grew snarky. (“It
means she’s a genius relative to the TV cue card readers.”) But Erceg feels the spark of epiphany in them.
Sublime behind rock star shades, Leigh
Erceg can bring to mind acid-head troubadour Jon Sebastian at Woodstock:
trippy, tousled, impaired (are all rock stars a little autistic?)—locked
into whatever head-banger anthem a toddler brain hears on its own.
Lately, this ecstasy expresses itself through dancing around
the loft in her Harley boots, although the sculptor and his crew,
whose ceiling is her wood floor, have begun to venture a few words
about this.
Driving to meet Erceg, I assumed her
creative genius would be fueled by nostalgia, a search for her former
self at the bottom of that ravine.
My own writing often feels called to a secret, imaginary past. But for Erceg, it’s totally the opposite. Like so many California arrivals before her,
she’s busy trying to make up who she’ll be.
Poetry
She
sits in a booth at Tommy Bahama’s explaining the pins on her leather
lapel.
“This jacket is what made me hold up
through everything. A lot of
the pins represent transitions. Like
this one tells me maybe I’m a tool?” She points to a tiny, silver-painted
wrench.
Keeping the right helpful distance is Heidi Shurtleff, upbeat,
demurring, Erceg’s surrogate mother since meeting her on a trip to
Steamboat, CO. A retired senior
partner at J. Walter Thompson, Shurtleff has also been volunteer president
of the Susan Koman OC Breast Cancer Foundation, as well as the Alzheimer’s
Foundation, and she’s trying to explain to me Leigh’s challenges in
the area of emotional affect. “Like
when her brother John died. Her
reaction was, ‘What is this all about? I
don’t really remember him. [Pre-2009
memories are a loss, likely due to delayed PTSD.] I don’t understand
why everybody is upset about it. It’s
part of the process of living.’”
“Here’s the thing,” Erceg says, reaching
for the French fries. “Someone tells you you’ve got this long to live.
What? No,” she disagrees, as if the point is self-evident.
Erceg’s sudden stoppages can make you
wonder if she’s talking abstruse math or dumbbell English. “You mean—you’re thinking through whether life
just ends?” I ask. “What path
are you taking to figure that out?”
“You know. The past, the future. The interlocking of dimensions.” Her voice is
a Sinatra shrug. Cosmology:
some broad he dated in Jersey.
At moments, talking to Erceg, I feel
a drug-like false connection. (Erceg:
Everything is its own phase. Me: --And
brings in a universe of, of. Erceg:
Yes! It does. ) When she sways her shoulders to a song on the
sound system, calling out changes (“F-sharp, G major, bring it down”),
every note is wrong. (I checked
against a piano the following day.)
But her poetic gift has been affirmed
by panels of experts—this in a form she’d never been inclined toward
in the past.
“Does it make you think of orchids,
dancing through time,” she begins when prompted, hoisting a bud vase
and launching into some extemporaneous, Byronesque
rap. “The petals of flowance design my mind,
the laughter of disguises…. But
time that passes has no reluctance.
Define time through the lemon of laughter, the smell of occurrence.
And I do not pass.” Erceg
replaces the flower and attends to her fries.
Trust
One
day, early in Erceg’s Laguna chapter, a cute guy on a motorcycle invited
her to a barbecue that turned out to involve no other guests.
His baggage included some hazy legal trouble with an ex, and
even Erceg knew things could have quickly gotten worse.
“She gets annoyed when I tell her she’s chronologically five
years old,” Shurtleff says. “But it’s true. She’s devastated if people
say they’re meeting for coffee and don’t show up.”
The plus side is that, given Erceg’s emotional
bluntness, frustrations can be converted to quick fuel. “When I watch a movie and someone is in deep
pain, my sensation is more a ‘why.’
Why are you doing that?”
“In the past year, you’ve
learned disappointment,” Shurtleff tells her.
“Well, look at the meanness that you see,” says
Erceg. “Look at the political
things going on right now, look at the reality shows.”
When someone’s tired kid cries at Tommy Bahama’s, Leigh is an
angry duck. “That shit just
drives me—I just think that’s rude.
Isn’t that rude?”
“Aren’t we born rude?” I ask.
“I don’t think so. I was kind, and I had to learn what rudeness
was. It’s not something that
has ever been comfortable for me.”
Erceg does relate, however, to the
selfish virtue of learning to survive.
“The times where I’d wake and say, nothing’s gonna
take me down today.”
She is referring to the horrific wake
of the accident. The doctors who failed to perform brain scans, misreading
synesthesia (“hearing” colors, “seeing” sounds) and scrambled speech
as psychosis. Paralysis, facial reconstruction, rods in her
neck. The fiancée who drifted.
She’d had a mom. Post-memory-loss, Erceg knows her only as “Jackie,”
giver of the bank card, consumed by a husband with Alzheimer’s. “Jackie was hit with a ballbuster,” rationalizes
Erceg, “and I was changing.”
The fact that Jackie was still mom
in this torture phase is borne out by Leigh’s journals (“Mom, where
are you? I would trade any life I have for a few minutes in your arms.”).
She describes months of unnecessary dental work, plus a therapist
whose treatment was massages at his home. Erceg cracks: “I may have taken a fall, I didn’t
take a stupid pill.”
Some corner was turned when she flushed her psychiatric medications,
a decision she says Jackie lovingly supported. She found herself spray-painting
doors and showing paintings at the local art walk. Some forgotten athletic instinct led her to
the Pickleball courts, where she ruled the
competition like a superhero—the probabilities of three moves ahead
could be mathematically plotted.
Enter Heidi. Drawn toward shy, the Californian vacationing
with her husband crossed the courts to ask about Erceg’s fetish for
Steven Tyler shades. Erceg
deadpanned, “I’m brain-injured.”
Finding a competent diagnosis was Erceg’s
work alone. She wrote to neuropsychiatrist
Berit Brogaard,
author of The Superhuman Mind, and flew to Miami
to undergo MRIs and cognitive testing.
She later met behavioral neurologist V.S. Ramachandran at UCSD,
turning her fondness for him into one of her canvases.
By then she was beginning to acclimate, immersing herself in
the West Coast obsession of leaving bitterness behind, an inspiration
she traces to a hostile workmen’s comp deposition back in Colorado.
“They were trying to
prove that you didn’t have a brain injury,” Heidi reminds her.
“Oh, I think they
kind of lost there,” Erceg says, her voice letting you know how wrong
a playground they’d wandered onto.
The outcome of the story is that Erceg,
who loves baseball, found herself training her mind’s eye on baseball
cards—then-Orioles third baseman Manny Ramirez in particular—and during
a break, she fled, returning to hand a pack of trading cards to each
of her adversaries.
“Did it change the dynamic?” I ask.
“No,” she shrugs, leaving the subject
behind, letting the koan of a baseball card
rhyme the cosmos. “It was just
something that’s magnificent.”
Family
Up
the stepladder stairs in her loft at Jon Seeman’s,
Erceg’s drawings make a credible case for a promising career. The heap of stencil-like shapes amounting to
Bob Dylan amounts, unmistakably, to Dylan—porkpie hat, UV-sensitive
scowl—all executed in a self-taught style that stunned Seeman
into memories of the Russian avant-gardist Kazimir
Malevich.
“It was like you studied this guy,”
Seeman tells Erceg when we join him downstairs. Seeman looks exactly like a sculptor: curly topped, open shirt,
twisty mustache. By sheer luck, Dylan is moaning from a CD player—Seeman bumps the playlist ahead to milk the irony of “She
Belongs to Me”: She’s got everything
she needs, she’s an artist, she don’t look back. Alongside the buzz of artists at work—assistants
are grinding steel into showers of sparks—you can picture this lyric
coming true.
But she’ll need more space, and she
dislikes being a burden to others.
On her behalf, I fantasize a support group of savants.
“I’ve tried that,” she says. “They all wanna talk
about their own thing.”
What about crashing some university
class? Professors are soft
touches for people just avid to learn.
That’s true in the writing program where I teach.
“Oh, see, I’d love to visit a class
like yours.”
“I’d love to have you!”
“You would??” Whatever forgotten emotion
is conjured by a hand to the heart, that’s where hers goes. “Wow. I
could sit there, oh wow, this is—“
“You might be more inclined toward
poetry.”
“Don’t discourage me,” she begs.
“Don’t discourage. Because I would. Just to sit there. You
hit something--”
But I have inner hesitations, which
I’m afraid she’ll notice and take personally. I wonder what journalistic
boundaries I’m crossing, I wonder if she’s ready, and of course I’m
miserable to realize that any such plan essentially volunteers Heidi
for more chauffering.
We have not followed up on the idea.
Empathy
“Look,” says Berit
Brogaard by phone. “I think there’s real emotion expressed
in Leigh’s poems and art—even if she doesn’t know she’s expressing
it.”
Brogaard
is a synasthete herself, and what animates
her is human potential. Whether white-matter damage like Erceg’s activates
stem cells that humanity can exploit.
Whether the preponderance of male savants (“The male brain
is different, not something people like to hear”) reflects a latency
that can be jump-started by a knock on the head.
Which drives me to all sorts of layman’s
fears about such a blessing-curse, super-intellect with impaired empathy.
I’m thinking of Erceg’s case against crying children—or was that envy?
At her loft, Erceg had defended the singlemindedness of Steve Jobs,
whatever it had cost him as a parent.
“I mean, no one’s gonna—Mother Teresa took that hat, okay? There’s always gonna be
someone saying, ‘You didn’t do such and such for me.’ And I say, Do it yourself!”
Brogaard’s
prediction: “I think she may
become quite famous for her drawings, but trust is likely to be a
problem. [Savant] Jason Padgett’s book, for instance, is on its way
to being a major Hollywood movie.
Whether Leigh can tolerate that kind of attention when it comes
is not clear.”
Vanishing
Ink
Tonight
Erceg will sleep in her room at Heidi’s, which I assume promises a
less panicky morning. An easier
stumble from jacket pins to physics.
Past a guard booth I drive her up
the hill into Emerald Bay—half-mile of private beach below, a resort
postcard in winter—full of poorly-formed questions about the shards
that make, or re-make, a self. Maybe
because she’s a passenger, a tall one folded into a small car, Erceg
seems especially makeshift for a moment, cobbled together. Like
her portrait of Dylan’s face. I
wonder if her unfiltered, reborn brain is ever quiet.
Not quiet, she says, “but
peaceful sometimes.” She says it wistfully.
“You seem optimistic,
though.”
“I know,” she groans,
as if apologizing. “I know
I am.”
As she leaves the car,
I tell Erceg I’ll call soon with a few more questions. A wave booms from the shore, sending spray into
the sky.
“Just don’t wait too long,”
she says. “Because I don’t want to forget this.”
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